Power to Victory in the Open Sicilian

The Classical Variation (so called due to it's immense popularity) is often reached via 2...d6: 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6 6.Be2.


Black sometimes reaches the same position by swapping his second and fifth moves. Then it goes: 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 d6 6.Be2, giving the same position.

The lines springing from it could have been covered in either of two sections so I'm talking about them here as there is more room. The Classical Variation was the Main Line of the Sicilian up to the 1920s or 30s. It's still pretty solid today.

Since then theory in the Sicilian has ballooned and the Classical Variation itself grew into several major variations. Black found ways to counteract it's effectiveness. There was 6...e6, the Scheveningen Variation, 6...g6, the Dragon Variation and 6...e5, the Boleslavsky Variation.

The Boleslavsky is a violent stab in the center with Black laying claim to d4 and f4. Black does leave himself with a backward pawn on d6 and a weak square on d5. When the White Knight is kicked out of d4 he is caught slightly offside.

The d6-pawn is well supported by Black pieces and the White Knights look uncomfortable on the Queenside. If you play this you are really arguing that White cannot effectively exploit the structural weaknesses in Black's camp. White's passive Bishop on e2 makes it difficult for him to pressurize Black.

By the middle of the 20th Century it seemed like the Boleslavsky had given Black a way to blunt the Classical Variation. So White had to find new more dynamic variations to resurrect the grand old Main Line of the Sicilian. Along came the Richter-Rauzer Attack and the Sozin Attack.

White opted for the Richter-Rauzer Attack, 6.Bg5, in response to Black's new systems against 6.Be2. Very often White will exchange this Bishop for the King's Knight, doubling pawns and weakening the whole wing for Black.

He will then try to hunt down the King. White will castle Queenside and use the Kingside for offensive operations. Black must figure out what to do about his King. White will sometimes throw forward his e and f-pawns to soften up Black's center.

Black has a nice pawn structure and the Bishop pair. His only real concern is his King. If he can get safely castled on the Queenside and trade off pieces he can look forward to a favorable endgame. But White has other ideas for the sixth move.

The Sozin Attack kicks off with 6.Bc4. It's another system originally aimed at discouraging ...g6. The Queen can be vulnerable to some clever tactical shots if Black is not careful.

6...Qb6 might not be a bad plan should you find yourself in this opening with the Black pieces. White's minor pieces have been known to feel the heat as Black's Queenside forces drive them back.

For White the advantages of the Sozin are plain to see. f4 followed by f5 puts substantial pressure on e6 and if e6 can be undermined then the a2-g8 diagonal becomes a huge asset. d5 in particular will be a great outpost for a White Knight.

The Velimirovic Attack is one of the most interesting variations of the Sozin Attack. The starting position of the Velimirovic is reached after 8.Qe2.

White intends to castle long and throw his Kingside forces at the Black King with all his fury. The g4 advance is going to be the central move in this game plan.

If you're going to play the Velimirovic you have to study all variations in great detail. It is highly tactical and one false move will see you go down in flames. If you do your homework this could be an avenue to some nice victories.

The Rauzer and the Sozin upset a lot of Dragon fans. It interfered with the usual move order with Black playing ...g6 on the 5th move. The Dragon Variation goes 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6.

But then people started playing the aforementioned attacks targeting the vulnerabilities of ...g6. Dragon fans had to find a way to get their favored structure in and the Accelerated Dragon came into being. ...g6 got played on the fourth move.

It is possible to transpose to the Dragon proper later. Many lines in the Accelerated Version have also sprang up to make it an independent variation.

The Maroczy Bind is an aggressive formation that Black does not like to see when he plays the Dragon. It actually rears it's head in many openings, notably the English Opening.

It's not surprising that the Maroczy Bind also shows up here. The English Opening and the Sicilian have much in common. The English, in some of it's forms, is basically White playing the Sicilian with an extra move. One of it's main branches is even called the Reversed Sicilian.

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The Gurgenidze is nested in the Dragon Variation. This is one possible response to the Maroczy Bind and not a bad one at that. Black knows that space is at a premium so he must utilize it to the fullest degree.

The first thing that 7...d6 does is prevent e5. Black does not need to be dealing with tricky little tactics based around the White Queen, an unprotected Rook and a kicked Knight as the Black e-pawn speeds through with tempo.

The move also opens a highway for the light square Bishop although he will likely not move before the King's Knight is deployed at c5 via d7.

The Sveshnikov again makes use of the ...e5 strike in the center. It's a more modern interpretation of the Sicilian Defense. Black has not yet committed to ...d6.


It rose in popularity when Evgeny Sveshnikov analyzed it in the 1970s and is now one of the most important lines in the entire Sicilian complex. It's ideas and themes have influenced analysis of other Sicilian openings.

Black plays a very sharp game where he volunteers the obvious structural faults that come with e5. But the deep analysis has unearthed a treasure trove of tactical possibilities in the resulting position.

The play centers around the thematic trade on f6 which leaves an open g-file for Black and a vulnerable King. One of those openings where the better tactician often triumphs. These lines have to be studied.

The Novosibirsk Variation is a tricky line found within the Sveshnikov. Again the same themes continue. White's plusses are the d5-square which his Knight is always threatening to occupy.


Then you have Black's ruptured Kingside which provides no safe haven for his King. But Black is not without his chances. They come in the form of a powerful Bishop on g7 raking across the center of the board.

His c6-Knight is often played to e7 to counteract the monster on d5. White cannot back his first Knight up with his comrade as the second steed is chased from b5 to a3 in many lines.

Again this variation favors those who study it. The great thing about studying one line in the Sicilian is you're building on it when you study more of them. Much of the themes and variations are closely related. The learning curve is not as great as you think when you get over that initial hump.

The Loewenthal Variation is another twist on the ...e5 ploy. On the 4th move when White collects the d-pawn he probably expects ...Nf6. Black throws in ...e5 straight away, kicking out the Knight.

The Knight will go to b5 again threatening Nd6 on the next move. ...d6 is the reply and once again Black is clamping down on a lot of key dark squares.


d4 and f4 are the biggest prizes and this makes the center a little hostile for White. Isn't he supposed to be calling the shots?

White will need to work against the backward pawn before turning to the f4 break. It's not easy to re-position his forces against this pawn without conceding equality to Black.


g5 is no longer a secure post for his dark square Bishop with the absence of the Kingside Knight. Black can also repel any White Knight with pretensions on the d5 square.

The Kalashnikov is a variation of the Loewenthal. Play continues with 5.Nb5 d6. Black cannot allow this Knight to set up shop on d6 and plays ...d6 himself, accepting the backward pawn.

Again he is playing with the belief that White doesn't have enough activity to threaten him. He is playing for a favorable endgame.

It's just a question of studying the detail in these tactical variations and understanding where certain moves and maneuvers are applied and why.